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| Autor "Katharina Natalia Piechocki" |
Katharina Natalia Piechocki knp227@nyu.edu
Biografie: Katharina Natalia Piechocki, PhD. candidate since fall 2005. She holds a M.A. from the Department of Romance Languages and Literatures (University of Vienna) as well as from the Department of Comparative Literature (NYU). In her dissertation she is focusing on 15th-century European feasts and public spectacles (mostly in Italy, France, and Poland) where she is exploring the borders and limits of early modern "spectacularity." Katharina is also finishing another doctorate at the University of Vienna entitled "Processus générateurs, productions significatives. Textualité et sexualité de l'opéra baroque en France et en Italie de 1638 à 1674". She has published articles and book chapters on baroque opera and oratorios, as well as on early modern and contemporary French and Italian female writers, in Italian, British, Estonian, German, and Austrian books and journals. Ongoing projects include an article on "The Rhetoric of the Peacock in 16th-century Italy"; "Spectacular Lack: Celebrating the Vanishing Self in 17th-Century Medici Florence"; and an essay collection on "Debt in Literature and Culture", which she is co-editing with colleagues from the CompLit department. She has received various grants and fellowships, most recently the NYU Global Fellowship for NYU-in-Florence (summer 2008). She loves tango and chicken liver paté (http://www.nyu.edu/fas/dept/complit/gradstudents/index.html#P).
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The Cambridge Introduction to Theatre Studies Christopher Balme’s Introduction to Theatre Studies is designed for “students embarking on the discipline of theatre studies at the beginning of the twenty-first century” (Preface, xi). T ...
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Diskurse des Theatralen Das Buch Diskurse des Theatralen stellt den 7. Band des DFG-Schwerpunktprogramms und der Reihe Theatralität. Theater als kulturelles Modell in den Kulturwissenschaften dar und versteh ...
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