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The Politics of Being on Stage
Ort: Hildesheim
Verlag: Olms Verlag
Jahr: 2012
Herausgeber: Anja Klöck
Link zur Rezension: http://www.theaterforschung.de/rezension.php4?ID=1565
ISBN: 978-3-487-14804-5
Umfang / Preis: 293 Seiten / EUR 38.00
 This volume is focused on the central issue of contemporary theatre and performance studies—that is, the issue of the actor/performer and the question of his or her public negotiation of normative orders.
The international authors of this volume discuss the entanglement of actors/performers in a variety of normalising practices, offering philosophical investigations, performance analyses, historical examples, and personal experiences. The collection will be of interest to anyone concerned with the political potential and ontological dimension of being on stage within and beyond politics in terms of party programmes and the state administration of polity.
Dieser Band in englischer Sprache nimmt den zentralen Punkt gegenwärtiger Theater- und Performance-Forschung in den Blick: Schauspieler/Akteure und die Frage nach ihrer Verstrickung in normative Ordnungen.
Die internationalen Autoren dieses Bandes beleuchten Schauspieler/Akteure innerhalb einer Vielzahl von normalisierenden Praktiken mit philosophischen Erörterungen, Aufführungsanalysen, historischen Beispielen und persönlichen Erfahrungen. Die Aufsatzsammlung leistet einen Beitrag zur Diskussion des politischen Potenzials und der ontologischen Dimension des Seins auf der Bühne.
With contributions by Elaine Aston, Sruti Bala, Wolf-Dieter Ernst, Rikard Hoogland, Birgitta Johansson, Joe Kienast, Michal Kobialka, Heide Lazarus, Ruta Mažeikiene, Juliano Mer Khamis, Kati Röttger, Tiina Rosenberg, and Willmar Sauter.
7 The Politics o f Being on Stage: An Introduction
ANJA KLOCK
Acting and Being: Politics o f Theories and Practices
29 The Actor in the Age o f Cloning
KATI ROTTGER
47 Roles and Selves: Actatorship in Need o f Acting Theories
WLLLMAR SAUTER
67 The Politics o f Being on Stage: Tadeusz Kantor's Annexed Reality
MICHAL KOBIALKA
95 The Politics o f the Soul: The Actor in the Contemporary American Film Industry
JOE KIENAST
Politics o f Training: Traditions, Institutions and Promises
115 Creative Futures/Creating Futures: Close Encounters of the Practice Kind
ELAINE ASTON
135 To Act or Not to Act? Shifts o f Contemporary Acting
Through the Lens o f Eimuntas Nekrosius's Hamlet
RUTA MAZEIKIENE
151 Troublesome Visitors or Contributors to a Renewal o f Swedish Theatre?
A Study o f Guest Artists with a Foreign Theatre Background at Two Swedish National Theatre Schools
RIKARD HOOGLAND
167 The Politics o f Searching Traces: A Research Review on the Actor Trainer Rudolf Penka (1923-1990)
H E I D E LAZARUS
185 Actor's Training, Rehearsal Practice and Body Politics
in Postdramatic Theatre. The Case o f Rene Pollesch's
Ping Pong dAmour (2009)
WOLF-DIETER ERNST
Activist Acting: Spectatorship, Scholarship and Responsibility
205 Solidarity Lost and Found. Reflections on Contemporary
Feminist Performance
TUNA ROSENBERG
229 De-Stultifying Spectatorship in the Theatre o f the Oppressed
SRUTI BALA
247 Feminist Performance Practices in Two Cultural Climates:
The Politics o f Josses flickor! Befrielsen ar niira
(Jeez Girls! Liberation is at Hand, 1974) and Josses Jiickor—Aterkomsten (Jeez Girls—The Return, 2006)
BIRGITTA JOHANSSON
267 Politics o f Being on Stage in a Site o f Armed Conflict:
The Freedom Theatre in Jenin (Palestinian Territory).
A Discussion with JULIANO M E R KHAMIS († 2 0 1 1 )
Contributors 281
Indexes 2 8 7
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Diese Nachricht wurde redaktionell betreut von Jo Jonas.
URL zur Zitation: http://www.theaterforschung.de/annotation.php4?ID=3111
Copyright by www.theaterforschung.de
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